In hindsight, the solution was obvious.
Anyway, that's what I thought when I awoke, face and hands already sweaty, the dark and humid air beginning already to claw at my face.
There was no light. I didn't have one on me. Didn't think I'd need a phone, with no reception. No, that wasn't part of the plan. And I don't smoke.
So, unlike the movies where there is in-scene lighting when the hero is trying to claw his way out of the coffin, it was nothing. It was dark and moist and stiflingly, oppressively silent.
The plan had been easy:...
It was the fall that surprised me most. Stumbling, suddenly in darkness, in a vile body that felt alien, so different, so limited, so odd - nothing to...before.
They never believed me, never believed what I said, when I tried to explain where I belonged (this tongue is clumsy and cannot say the words I need - I use words like "sky" and "stars" and "above" and "far" but none of them even begin to describe home - home is the closest approximation I have, but it is, I find, unhelpful)
They tell me that such things - I -...
god finger-painted the sky in blue, and glued on layers of fluffed cotton for the feel of it. he carefully arranged macaroni noodles below it, forming the shapes of volcanoes, of funeral pyres. he was making a field. he imagined sun ripened workers tending his pasta land, sweating and itching, and he made it so. they did not have time to wonder who created them. god was thoughtful enough to give them mountains to look at. he was proud of that. he took his artwork home for his mother to see.
They were trapped for seven days, four storeys down, in a subway car.
Just the two of them.
Midfight, mid-breakup, mid-life-altering-altercation, the lights had flickered. Then gone out.
In the darkness Jake had offered a tentative "Hello?" and chuckled quietly.
Cooper had shouted back. At the moment they realized the darkness would not abate, that help would not come, that they were trapped, they'd retreated to opposite ends of the car.
Cooper flipped the emergency switch and forced open a door. A rotting stench flooded the car.
Doors shut again they studied the opposite end of the car.
On the...
The gate closed behind them. It was too late, she knew it. How did they get here? Why did it have to end this way?
"Jamie, it's okay. They won't find us here."
She wanted to believe him. She tried to believe him. She couldn't. They corner they hid in was dark, damp, dirty. She didn't have to wait long.
As the latch opened on the outside gate, Sean starting shaking. He can't handle this, Jamie thought.
"We're going to die, aren't we?" he asked.
Jamie considered lying, but what would be the point? She put her arms around him...
"Mister Cloone?" said the sergeant as he sat down. "You know why we're holding you, right?"
Cloone shrugged and leaned back. "Fascism? Something something smokes?"
Sergeant Miller took off his own glasses. "We're stopping you here at the Richford/Quebec crossing because you were smuggling Cuban cigars into the country. Why would you do that? You didn't even try to hide them."
"It's the Hemingway in me. Cuba. And 'fuck the system'."
"You think that smuggling cigars makes you Hemingway?" asked Miller.
"I think it's a good start," replied Cloone.
"We have the boycott in place for a very good reason....
There was a man who rode on a white horse. He wore a golden cloak. He was handsome and upright in posture. When he passed by, people stopped to stare and to whisper among themselves.
"Who is he?"
"Where does he come from?"
And, although they did not know the answer to these questions, they knew he was good and bold and wonderful. A hero.
There was a man who rode a black stallion. He had a large hat, flopping over his brow. Below the brim, a bright red scar was visible - a slash across his cheek. He slumped...
There was a comma where a semicolon should have been. This drove her crazy. She thought of actually shooting herself in the head but that would have required a 3-day waiting period; besides, she hated guns. So she kept going through the papers, red slashes here, smiley faces there. But many more slashes than smileys. Soon she just started making slashing smiley faces. Her students wouldn't know the difference, she thought.
After all, they couldn't tell the difference between simple punctuation so how could they get her irony?
John, her favorite student and best writer in her Senior Classics class...
Sam pulled the tuque tighter around his ears and hunched into the wind. Spring, hah! With no snow to melt, there was no way to tell the difference between today's nasty wind and yesterday's blistering sun.
He banged his way into Tim's and leaned a little too close to the muscle mass in front of him, seeking warmth, if not comraderie. The dude turned, looked down into Sam's wrinkles and coughed. Once. With phlegm.
Sam stood firm and bumped into the plaid workjacket when the line shuffled forward.
When he heard the words, "Large double double...and a Boston Cream for...
"What is it you have to do again?"
Richard pointed at the screen. "You have to get the butterflies to land on that tree."
"Which one, the one on the left?"
"No," he said, "the other one, the little one."
His son crossed his arms. "Dad, this game is so lame! I don't see how you could have played this thing. The graphics suck!"
"Hey, this is 16-bit resolution! You should have seen some of the old 8-bit side-scrolling games. The graphics on them were even worse, but they were all we had. And do you hear those sound effects?"...