She sat staring at the skin of her hands. Her eyes traced the many lines, imagining the skin to be the brown, scorched earth of deserts, thirsty for life.
The wrinkled skin gathered above her enlarged knuckles, reminding her of dried fruit.
She continued examining her hands, wondering how the finiteness of life had come to suddenly feel so tangible.
Her veins somehow looked foreign. Her age had caused her veins to become like strange, throbbing, river-like threads of yarn, sewn to her flesh, invading her hands.
She rubbed the underside of her index finger against the rough surface of...
She didn't look at him as she gingerly opened the sketchbook he had laid in front of her. Carefully schooling her face into it's most neutral expression, just in case she didn't like what she saw.
She needn't have worried.
For as she opened the book and began to gaze over the imagery, the concepts, the scribbled annotations that sounded like he had been talking to himself as he wrote them, she became lost in the world he was describing.
She could feel him tense next to her. She understood that, by being shown his work it was like she...
She opened the envelope and screamed. The paper didn't so much as drop to the floor as simply fall apart in her hands, clear liquid eating its way out of the corners and seeping everywhere, floor, clothes skin.
She screamed again as the contents of the envelope liquidated the very flesh from her hands. She turned sharply as the back door banged, meeting the horrified eyes of her husband through a blur of tears.
"Holy fuck," was all that he whispered as he grabbed the 'phone from the side and dialled 999, barking orders for an ambulance.
"Why would they...
I'm dead. Really dead. Not in the "there'll be a twist at the end and I'll be saved" kind of way. Just dead.
It occurred a while back, and while I was living, I thought it was pretty unfair. Most people get 60, 70 years of life. Enough people got 30 or 40 years of life.
I got 25. By the time you're 25, you're only finally getting your last degree, your first bit of experience, stepping over that last big stone in your path before you enter the real world. The one where you earn enough money to do...
We are there. We are in the shadows, in the gaps, in the spaces between words. We are in every moment where you pull away, where discretion replaces narrative, we are there.
We are there in the knowledge that you do not write all things that happen, we are there, waiting in the wings, filling in the gaps, in the spaces.
You did not write us - you never write us, nobody writes us (and who would read us, who would read every banal moment, every second, what soul could stand the painful inevitability of one moment following the next...
When the colors first started disappearing, no one noticed. After all, the first to go was chartreuse, and no one ever used chartreuse. Almost no one even knew what chartreuse was, most people thought it was a purplish-red color anyway.
So when a few bottles of French liqueur went grey, no one could tell, it might have been a trick of the light and the glass. A particularly terrible shade of salmon, popular for a brief period in the mid-40s was next to go. But most examples of that were already buried beneath years of garbage, or hidden behind five...
.. 2080 ... 2090 ... 2100. 2100 NE Swenson Avenue, that was the address. Harold was certain of it. He could almost feel an unnatural attraction to the simple white door with blue finish that innocently faced the street, surrounded by colorful flower pots.
A hesitant step after another, his heart pounding, he approached it. His thoughts were hundreds of miles away, in his home country, where his family was held hostage. They were watching his every move, listening to his every breath. If he failed, his wife and children would die.
His hand rested on the doorknob. The windows...
"I feel boxed in," she said.
"I'm sorry?" he replied, not quite understanding.
"Well, the basic thing is this: the image is quite boring, and the color scheme is obnoxious, a weird, misguided attempt at the painterly surrealism that Richard Linklater's Waking Life first presented in film. Add to that two gigantic butterflies, and the whole thing just falls apart. But despite the silliness of the painting, however, there's really no room for absurdity. Characters can't wave pistols around or smoke cigars or get hit in the forehead with boards. I'm boxed in. I have nowhere to go. It's too...
Waves. Waves lapping at the scarred coast line, the sound of gulls cooing above, the smell of the salty seawater.
The therapist had told her to imagine her happy place, every time she felt a panic attack coming on. Every time she felt stressed, which she was prone to, she came back here.
Her happy place.
She was nine years old, her strawberry blonde hair in pigtails, her jade green coat pulled tight to keep out the bitter wind. Balancing atop a weather warn log, she had pretended she was walking the tightrope at the circus.
She had always dreamt...
It wasn’t a specific look, or anything she said exactly. It was the things she didn’t do that gave it away. The way that she didn’t automatically include me in the conversation, the way she didn’t look to me when something funny happened, the way she didn’t move up to get more space but stayed, leg pressed against mine, reminding me that she was there.
All the instincts we’d developed about one another over the many years we had been friends were now kicking into gear and compensating for all the things we couldn’t say, not with all these people...